UNIDADES DE APRENDIZAJE- HISTORIAS ENTRELAZADAS
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ACTIVACIÓN DE ARCHIVOS A TRAVÉS DE MÉTODOS RADICALES: CONVERSACIONES INTERGENERACIONALES
Grupo de Trabajo: Londres Autorxs: Janna Graham, Evan Ifekoya, Raisa Kabir, Rudy Loewe, Raju Rage #legado #movimiento de las artes negras #artistas de color #conversación intergeneracional #racismo institucional #archivos #creatividad colectiva #colectivo artístico #estrategias de supervivencia →RECURSO ADICIONAL (EN): CINEMA AND ANTI-RACISM PEDAGOGY – JUNE GIVANNI ARCHIVE →RECURSO ADICIONAL (EN): LOVE AND LUBRICATION IN THE…
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DESCOLONIZAR LA ALFABETIZACIÓN CON PEDAGOGÍA CRÍTICA
Grupo de Trabajo: Maseru Autorxs: Ba re e ne re Literary Arts: Lineo Segoete, Zachary Rosen #alfabetización crítica #narración #escuela crítica #misioneros #compartir conocimientos #Maseru #Lesoto #descolonización #colonialismo → MATERIALES ADICIONALES (EN):Lineo Segoete – The Violence of Explaining Myself La descarga es gratuita. SIGA LAS RUTAS A LAS QUE ESTÁ CONECTADA ESTA UNIDAD DE APRENDIZAJE:…
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REENGAGING FREIRE: PAULO & ELZA IN GENEVA
How do we engage students or participants of a learning programme in a gallery in discussing an artwork in a critical and potentially emancipatory manner? This Learning Unit proposes to reflect on methods for the critical reading of images by engaging with pictures for learning situations that were created following Paulo Freire’s approach of “generative…
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1 – Path: Working with images
In most respects, working with images (whether still or moving) is one of the older modalities of art education, but the preponderance and sheer volume of sensate triggers that presently confront the contemporary beholder call upon much more than scanning and taking in the visual field. The learning units that take on this mode of…
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2 – Path: “The artist” – “the child” – “the native”
This path is based on research into the discursive co-constitution of the triad of “the artist” – “the child” – “the native” and its historical connections to colonialism and mechanisms of exclusion. This triad relies on a gaze which is characterized by a simultaneous act of othering and idealization: it admires those who have not…
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3 – Path: Reflexive Pedagogies/Critical Literacies
The Learning Units designed by the Kampala, Zurich and Maseru working groups emanate from different working contexts though they are related as kin in that each of them deploys exercises to encourage participants to understand that the texts and media we confront in our lives are never neutral, rather they are imbued with particular positionalities,…
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4 – Path: Missionary dimensions in Arts Education
A wholistic interrogation and analysis of the extent to which western missionary leadership and autonomy configured arts education in the Global South. These learning units explore the ways in which missionaries, though noble in their cause, were supremacist in their process. Through the research carried out by these working groups, we learn that missionary intervention…
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5 – Path: Letterwriting
How do we conceive of ‘the letter’ as both a personal and a public, collective thing? What would a letter be, if it was liberated from its literary genre? Can a song/poster/manifesto/banner be considered a letter? These Learning Units consider the losses and benefits of a letter in the expanded form. By Rangoato Hlasane FOLLOW…
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6 – Path: Critical Pedagogy and its critiques
Critical pedagogy, aiming for learning as liberation and an interrogation of societal structures, is a common reference point for engaged art educators. This path invites you to engage with a range of historical references of critical pedagogies and their relevance in current practices. The learning units, beyond introducing historical and contemporary concepts, aim to discuss…