TOOLS AND ACTIVITIES FOR LEARNING
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13: SPIRITUALITY IN ART / SPIRITUALITY AND ART
ESPIRITUALIDAD EN EL ARTE Published at: August 12, 2020 SPIRITUALITY IN ART Published at: August 12, 2020
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12: SCHOOLS AS SPACES OF CONFLICT AND PUBLIC SPHERES
ESCUELAS COMO ESPACIOS DE CONFLICTO Published at: August 12, 2020 SCHOOLS AS SPACES OF CONFLICT Published at: August 12, 2020
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10: FEMINIST ECONOMICS IN CULTURE AND CULTURAL DEGROWTH
FEMINIST ECONOMICS IN CULTURE ECONOMÍA FEMINISTA DE LA CULTURA
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ARAC Zines
Members of the Another Roadmap Africa Cluster (ARAC) put together zines in 2018 as a summary of their individual research projects and activities. The Zines may be viewed as a repository of the key components of knowledge creation and dissemination embarked on by the various members, or they may be used as learning/teaching aids for…
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DISCREPANCIES BETWEEN PAULO FREIRE’S METHOD OF CRITICAL LITERACY AND ANDEAN WORLD-VIEWS
The work itinerary that we propose in this learning unit consists of materials, texts, images and personal anecdotes that Sofía Olascoaga[1] and I gathered on a visit we made to WAMAN WASI, a center of cultural affirmation and recovery of Amazonian Andean peasant technologies in Lamas Peru. The questions we asked at the time were: How does…
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HOW TO WORK WITH ARCHIVES THAT ARE “NOT THERE”? ENGAGING MEDU ART ENSEMBLE IN THE NOW
This Learning Unit is concerned with the politics of archival access or how to work with archives that are ‘not there’. The central story of the Johannesburg Working Group (JWG) is the Medu Art Ensemble (Medu), a collective of informal members; most of them exiled artists from South Africa, working in Botswana circa 1979-1985.
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REFLECTION OF PRACTICES THROUGH DIALOGUE WITH IMAGES AND WRITTEN CONVERSATIONS – ACTIVATION OF ARCHIVES OF POPULAR EDUCATION
This Learning Unit shows, with the help of a video we as Bogota Working Group produced, a possibility of how to put central concepts of Paulo Freire into a new and present context.
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EXPERIMENTS IN INJECTING CRITICAL READINGS OF THE HISTORY OF ARTS AND DESIGN EDUCATION INTO AN INTRODUCTORY COURSE IN PUBLICATION DESIGN
This learning unit was designed for use by 1st year diploma level visual communication students at a tertiary-level art and design school in Uganda. Its aim was to introduce the students to publication design (as specified in the curriculum) while at the same time engaging them in critical readings of the history of art and…
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REENGAGING FREIRE: PAULO & ELZA IN GENEVA
How do we engage students or participants of a learning programme in a gallery in discussing an artwork in a critical and potentially emancipatory manner? This Learning Unit proposes to reflect on methods for the critical reading of images by engaging with pictures for learning situations that were created following Paulo Freire’s approach of “generative…